Horror filmmaking continues to prove that atmosphere often matters more than scale a strong concept combined with careful ...

An aural history of scary movies, and the Foley art and design that make them great. By Jordan Crucchiola vulture animal bureau Fear the Chamois It’s arguably the most versatile object in the Foley ...

Ian Tucson’s feature debut undertone is a masterclass in tension. It applies restraint in ways that always read like choice and not the result of limited resources. So, it’s no surprise that Tucson ...

While the nostalgia of mono audio and grainy low-budget pictures may be a part of the attraction of the genre's history, it pays for today’s horror films (and the increasing number of restorations) to ...

Director Kyle Edward Ball discusses how a simple sound setup helped him create a stew of atmospheric horror. Filmed over a week in his parents’ house — where they blocked out all light using a ...