In the 1950s, Jonah Kinigstein was on the verge of making it big in New York's art world. He won a Fulbright to Rome. His paintings got into the Whitney Museum's annual show of contemporary art (the ...
If you wander through New York’s Museum of Modern Art, you’ll eventually come across Painting Number 2 by Franz Kline, a set of thick, unruly black lines on a white canvas. Elsewhere, you will find ...
“You can talk about light, scale, depth, beauty, color, shape, form, perspective,” the great mid-century abstract painter Helen Frankenthaler once said, “but it’s no formula of those things that make ...
The audio version of this article is generated by AI-based technology. Mispronunciations can occur. We are working with our partners to continually review and improve the results. Gallery-goers attend ...
David Hammons’ thoughtful curation of the exhibition, 'Ed Clark: Big Bang', currently at the Tilton Gallery helps establish a much needed context for an important artist of the New York School, who, ...
Principal Fellow (Hon), Victorian College of the Arts, University of Melbourne. Editor in Chief, Design and Art of Australia Online, The University of Melbourne In 1986, those art historians who see ...
FOR half a century art critics have undertaken to address not a sophisticated minority like the readers of literary magazines, but the mass of unbelievers to whom twentieth-century art is a mystery or ...
IT is not easy to find meaning amid the drips and daubs, splashes and swirls of contemporary abstract painting. But John I. H. Baur, curator of Manhattan’s Whitney Museum of American Art, believes he ...
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